Finessor “Fbam”

Bridgehampton recording artist Finessor releases his new album “Fbam”

Finessor returns, this time with his second independent album, "Fbam". The project consists of 12 songs in which his deep lyrics and predominant style are present once but showing an evident improvement in the lyric and compositional aspect of Finessor.

"Fbam" opens with "Blue Face, Pt. 2" which stands as a cry of encouragement and an ode to self-love and confidence focused from a seemingly depressing point of view. In this opening,

Finessor raps about keeping the path straight to his goals, talking about how he only has himself and his convictions.

In all the sad-trap and melancholic music flow, the artist deals with themes such as loneliness, the cult of money, and death; all these aspects are seen as motivators not to give up in the fight for personal success. In contrast, "Sorry Mooma" feels more like a letter of sorts that you would write to Mom, in which you apologize for bad decisions you've made in your life. "Sorry Momma" brings a breath of fresh air and has a distinctive sound right from the start, with the bass riff serving as its intro.

But this album also includes the collaboration of other exponents of rap, such as Baby Phace, who is present in the song "Confused", in which the voices of both rappers fit perfectly.

Dinero3x lends his voice in the song "Louis X Off-White" in which we can identify a more "futuristic" trap flow. On the other hand, the song "Cuff" featuring Band$ shows a kind of sensitivity in its melody, which brings versatility to the album from the auditory level. In an honorable mention of the album's feats, we highlight "Blue Band$" with its guitar intro and the incursion of an apparent pan flute that provide the melody on the characteristic beat of rap, on which Finessor joins his voice to that of Pyrolyfe to bring us one of those that (in our opinion) is one of the banners of the album.

"Big Amounts" is track 5 of the album; the song begins with a relaxing sound that evokes a kind of lullaby but explosively transitions into a well-marked rap, which again reminds us that the album is a sample of versatility and experimentation. The same goes for the RnB nuances found on "Struggle", which harmoniously converges under the lyrics and

Finessor's rap until the song ends, where we can hear the quasi-dramatic effect of the song's slowly fading.

The song that probably has the most striking title is "Anxiety Problems". In this track, the rapper talks about one of the most common problems of our modern age: anxiety and how those who suffer it deal with this problem daily. From "Anxiety Problems" we must also mention the arrangement of strings and piano at the beginning, which undoubtedly gives a melancholic touch to the track.

The album gets its name from track number 11, "Fbam" The song continues with the mixture of melodic instruments without forgetting the characteristic rap of the album.

"Fbam" develops faster both lyrically and melodically; this song is undoubtedly the album's signature single. "Get Guap" also maintains this trend of faster rap, and it's the most "trap" song on the album.

We end with "Child's Prayer", another emotional song, which sounds like a kind of gospel rap monologue and is an appropriate closing for an album that, from the opening, shapes up to be an album ready to make an impact on those who listen to it.

We conclude that the album is a journey of self-discovery and expression. Finessor puts his soul in the composition and the lyrics, revealing a more vulnerable and pure aspect of his music. After listening to "Fbam" we are waiting to hear what Finessor will have for us in the future.

“FBAM” Is Now Available On All Streaming Platforms!